![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoANJ-nwN7HqRjttyrNVaCyKu26MajSQaNLH0SHBW53Jasfm4j3iOI-RPZKRUkeIxBUlf1oWdbWO6rPyQjmm9V5qXqX6LzQ8D-pfClutyvYY9edhU2XKiij4-IG_M8X9jemqZAVcDVpmt1/s400/epic1.jpg)
This film I had been wanting to make for some time. I concieved the idea around Christmas last year, as a project with simple props, telling a mythological story with a voice-over, storyteller style. Eventually I decided to use the end of the Gilgamesh epic and compose a tale of my own with some kind of morale at the end of it. The finished script had a nameless king seeking the one man who had achieved immortality in order to find out how to be immortal himself. The story was told by a guy in the desert, claiming he was this king. The tale is full of heroic deeds; The king fights demons, challenges dragons and eventually enters the underworld with the aid of the godess Ishtar. I wanted the look of the film to be quite simple and difficult to place historically. It's a tale set in a world of loincloths, copper swords and sandals. I did sneak in some Sumerian references here and there, such as certain symbols in jewelry, backgrounds and even the monsters, that look like demons and dragons on old Sumerian tablets.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_XT3GiWAHxusHfjClEL9PTo_KtEYWdxlIZMtyYE6o74lMKl4tHLZlrghf2m0Kv8BHSnhIaCdXT2u-BiiMl4aqNK_c5TgguV7bJyIdTK4mJID5fnmsJ1Xc2CkhhkJpaTj9q9FYFZHZB49Z/s400/drake_demoner.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpQQaPnm9FKT6sjd7uTaB_0YZPRyYagDV0p_4CXrA1GyIF4CmgKz1Fu5RmUGE9tZttxOocaqRC1Nr0FdTgK6CD-IC6gtTDFHp5xFK6XSti93Y_1a9NFAwpK6QoLOZ2k5Lac3lI1aqSOEcg/s400/pazuzu_demoner.jpg)
I knew exactly who to ask to play the king -Dag Persson, poet, actor, musician and strong-willed individual. We had collaborated on many projects when we were both members of an art society that went belly-up a few years back (more about that sorry story later). However, Dag is a very busy man, so the date I had planned for shooting, sometime in April, was hastily postponed. I called Dag again in May and we decided to give it a try in July. Problem was I had another film project already booked in July, but as I knew it would be difficult to get Dag's attention again I decided to go, go, go -even if it meant a lot of unplanned, extra work.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9q4AoiVq8t8QVVYjwkABEGGN-pBkHTfY7z11KUX4MZNOgjyk_eBaNCEcM-SGdusNyYorU06sk3uqs6I-mfgsF9iCKgIcay4s2dXXdbnfCwV2oxTvtDKvBSUYQ5lZ4tn9qF7vvyJcWLU6i/s400/isthar_kungen.jpg)
So go, go, go we did and taped the entire live-action part of the film in one exhausting day! I'll get back to that day in a post entirely dedicated to the shooting of the film. Against all odds it all turned out well. The entire film (save a few minutes here and there) were shot against a blue screen, meaning that I can put the actors in any environment I choose. More about the blue screen work too in a while.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7yTTTcPX_nnLGOP4gMt4OoLOMjf3yH0t_IZ3Sbp5yQpG5P03m1YSu1VzuBrM2Xv6facLjHEGELab6ad-luYjJcErvCftJ36GJIlNGf7l19I4Bb_EC3OsjAqVgEBmtMhc4sijF0Y75Eb7S/s400/epic12.jpg)
No comments:
Post a Comment