I had wanted to make more retro-styled sci-fi after my project "Empire of the Robot Monsters", and this resulted in the all-puppet video "Xorg the Conqueror." It's also nice to intermingle the often dour Lovecraftian projects with some sprinklings of humor.
The character of Xorg is based on a drawing I did for a game project here in Sweden. It's pretty much the very same character.
The front of the head and the torso of Xorg were sculpted in medium grade Monster Clay.
As you might imagine with that look, Xorg's head was the most complex part of his body. The thingie on his head was armatured with aluminum wires, as were the snout-like mouths. The eyes were Photoshop print-outs attached to acrylic domes using Glossy Accents scrapbooking plastic as a glue.
The armature for the body is my usual aluminum wire contraption held together with thermoplastic. Strips of soft polyurethane foam were used to pad out the body. Like the head, the chest/torso area was cast in tinted latex. This piece was also padded with foam and attached to the armature using contact cement.
Like all good space travelers, Xorg has a backpack. This was made from two magic marker caps (these markers were dried up, so no markers were harmed during the making of this backpack), two plastic balls, a glue bottle cap, and two bits of spring tubes.
Lastly, Xorg needed a mighty ray gun with which to blast the poor populations he accosted. Almost all of this prop was made from this old ballpoint pen, held together with superglue and with additions made from thermoplastic.
So, here's Xorg in all his glory. A rather strapping chap, I hope. The tiny teeth in Xorgs mouths are simply tiny blobs of latex tinted white applied to the circular mouths with a needle.
Now for the hammer-headed monster that gets Xorg in the end. I mostly rely on old plaster skin texture molds when I create the flexible skins for my puppets. But for the hammerhead monster I wanted something new, and therefore I sculpted a skin texture with big, horn-like bumps, very inspired by the skins texture imprints found in fossils from the Ankylosaurs. This bit of skin, cast in tinted latex from the resulting dental plaster mold, goes onto the back of the puppet.
This is the armature for the hammerhead monster, and it's really simple as you can see. The black clumps on the legs are bits of seat cushions made from compact foam, put there to add volume to the legs.
The actual hammer was made from a plastic latex bottle, a cardboard tube, and a cone made by applying tinted latex and cotton to a clay shape. You can also see the simple foam padding here. This creature has a bulky body that doesn't have all that many toned muscle details.
Patches of cast latex skin from my old reliable skin molds cover the foam padding. The hammer is mostly covered by cotton dipped in latex.
To unify the whole look tinted latex was sponged on over the whole puppet. The eyestalk was added as an afterthought and is just a single aluminum wire covered with string and latex. The actual eyeball is another acrylic dome (used in scrapbooking, apparently) with some more Photoshop art attached to it.
This whole film is filled with candy colors, so the hammerhead was painted blue using tinted latex and a foam sponge. Teeth were made from cotton and latex, and the claws on the feet were latex cast in plaster molds. This creature also has a long tongue, but that's a separate removable piece, an aluminum wire covered with yarn and latex stuck into the jaw of the puppet very much like a pallet or false teeth are placed in the mouth.
Let's not forget our heroes of this piece, the natives of the planet Xorg invades. This puppet is one of the very few ones using replacement faces, and at that in the simplest way. The body sculpture was made to accommodate this. The smaller indentation is for inserting a tentacle.
Here's the body cast in latex with an aluminum wire tentacled added, but I've also added a clay face, as you can see. To make the replacement faces fit as well as possible into the body, I simply pressed some clay into the cavity reserved for the face and sculpted all the details.
The clay faces were then carefully removed and lined up on a strip of clay for casting.
The body was supported with thermoplastic and attached to a foot with tie-down. Each face has a flange of latex on the back which allows it to slit into the hole in the body.
A little plastic pearl was superglued to the top of the body, a nice decoration I think. Using the puppet with replaceable faces I could create a bunch of natives, though this planet seems to be pretty sparsely populated. To animate the jumping motion of these creatures I simply bent the leg into a compressed shape while it was still attached to the animation stage. The actual jumping was achieved by keyframing the puppet moving up and down from the ground in After Effects.
By the way, the running of both Xorg and the hammerhead monster was achieved in similar ways. The puppets were attached to flying rigs covered in green screen sticky tape. The hammerhead had to be animated in a weird angle to make room for his tail.
The backgrounds were my usual collection 2D Photoshop cut-outs made from various stock images. Some of them, like Xorg's rocket ship, were animated using keyframes in AE. And then there's a bunch of explosions and ray effects that I've found on stock footage websites.
It looks like I'll be delving more and more into all-puppet videos. It's not because I can't get my friends to appear in films anymore, but the more I use puppets, the more I appreciate the freedom of animated characters. It won't work for all things, but it's perfect for some projects.