The USA is shockful of weird and wonderful legends, and one of the oldest and still most vital among them is the tale(s) of the Jersey Devil. This peculiar gargoyle-ish critter hails from the Pine Barrens forest of southern New Jersey. As legend tells it it's the thirteenth child of Mother Leeds; a local witch who cursed the unfortunate infant for the pains he was giving her. The child transformed into a demon, killed the midwife and escaped up the chimney. Since this harrowing episode, said to have occurred in 1735, the "devil" has been seen numerous times, and is still reported every now and then. It's a seemingly deathless creature. The scream it utters is apparently unlike anything else ever heard. I had relatives who lived in the Pine Barrens in the 1970's and 80's, but sadly, they never had any unusual experiences in the area.
I've done a fair amount of research and articles for Swedish press on the subject of Cryptozoology, and I've returned to the Jersey Devil time and time again. I built a small model of the monster way back in the 1990's, but this now crumbling latex and plastic creation was not made for animation. I thought it was actually high time to produce a proper puppet AND animate it.
Actually, the other big reason for me to make the film is this cool and clever song by Kevin Welch. I saw this performance on YouTube, and thought the tune was both atmospheric and humorous. So I contacted Kevin about being able to use it as the soundtrack for my film, and he said yes without any hesitation. Now I like him even more! So, while waiting for my finished video, please enjoy a live rendition of the song by Kevin Welch.
The challenge I put to myself was to make a large puppet, having the strength to stand on one rather spindly leg in a mid-air leap or stride. So I turned to my Monster Clay, so I could chisel out tiny details in the skin of the creature. The head and chest were created separately, and were the only parts sculpted in clay.
This armature was actually built in a slightly different way than I usually do. I simply laid several aluminum wires next to each other in a clump, tied together with sewing string. I added thin nails with the heads clipped off to the aluminum wire clumps, and thereby achieved the unbending "bone" parts I at least have to have when animating, or the puppet will bend all over its body. As you can see, the chest area has a rudimentary rib cage, and the back has a hunch where the wings will be attached. Those parts are aluminum wires covered with Friendly Plastic thermoplastic.
I've talked so many times about how I make bat wings that I'll skip that here, but here's how the wings looked straight out of their plaster cradles.
The puppet came together very quickly. The head has jointed upper and lower lips, and ears using aluminum wires. I'm having my favourite scrapbooking crimson beads for the eyes. I'm using Friendly Plastic to bond all the parts together. Varying densities of polyurethane foam make up the muscles. The little hoofs are also Friendly Plastic.
The puppet is skinned with patches of latex skins cast in plaster moulds of various sculpted skin textures. The knobbly spine was created by just adding drops of tinted latex with a pointy wooden tool. The claws and teeth are cotton and latex.
The finished puppet has a base colour of black/blue/red PAX paint, and Liquitex acrylic airbrush paint. It's over a foot tall, and very light. You'll see just how flexible it is in the eventual animation. I have to say that it's one of the best and effective animation puppets I've built so far.
Time to step out into the woods and find the proper places where you might expect to meet a devil. I won't be visiting the real Pine Barrens, but I have a swampy pine wood area just a stone's throw from where I live. And who'll be in the film is yet to be seen. I'll be calling on some of my friends that don't mind being chased by imaginary monsters through the woods.