Carcosa Project: Pig Monster

I was so busy with other things that I didn't manage to get a single post up during October. Bad form, indeed! I hope I can make up for that this month.

I'm almost done with my Carcosa film project; "In the Court of the Yellow King." But I find myself still building the world, adding more and more details and characters to the backgrounds. It's time to give it a rest. But before that, here's yet another monster!

I'm making a scene set in a  town square (of sorts) and I needed to populate it with at least a couple of living things. This puppet is supposed to represent livestock and domesticated critters in Carcosa; basically a pig body with a strange artificial head. My armature is the basic type I always build, using thermoplastic (the white stuff) and aluminum wires. But this time I decided to build up a rib cage to make the body sturdier, and to give me something solid to grab hold of while animating. It's basically aluminum wires wound around the spine, and covered with thermoplastic.

The funnel-shaped head is at the back the top of a whipped cream can, and the front is what's left of a toy plastic tuba I've had since I was very small. The tuba broke many, many years ago, but I saved the top of it.

Almost all of this puppet was covered with thin sheets of polyurethane foam. Only the rump of the monster was provided with a bigger foam piece.

Here's the finished muscle build-up. As you can hopefully see it's quite subtle, and partially based on the muscle diagram of a real pig. The green foam is slightly thicker and denser than the yellow. The back haunches have been partially shaped with cotton dipped in latex.

The body was then covered by fairly small patches of latex skin cast in a plaster skin texture mold. If I remember correctly, the skin mold was created off an old orange skin.

Using smaller latex patches creates a smoother, leaner look to the surface, but it also means more seams that need covering. I used a pipe cleaner to brush on tinted latex in very thin layers, and a pointy sculpting tool to poke pores into the latex seam coverings, making them blend better with the rest of the skin surface.

The finished puppet is painted with PAX paint (Prosaide glue + acrylic paint), and the tail has received a tuft made from crepé hair. Macramé yarn dipped in latex tinted black, and then dry brushed with metallic paint was added as cables going from the body into the funnel head. I haven't decided yet what the funnel will do, exactly. I'll probably have a nasty-looking tongue coming out of it, and maybe some sparks.

Halloween Nasties!

So what the heck have I've been up to during September and October?? Well, not blogging or making anything to blog about; that's for sure. For these past two months I've been building stuff for a local Halloween show, and it took me a bit longer than I had anticipated. Here's a quick rogue's gallery of some of that work.

This is a "Myling", a child ghost eager to exact his revenge on those who ended his short life, most likely his own mother -a young woman who didn't want this responsibility early in life. This tiny specter from Swedish rural folklore was made from a store-bought rubber baby doll. I changed its face using epoxy and gave the doll a new paint job.

The poop monster, created by building up latex and cotton over bits of urethane foam. The puppet is about a foot and a half, and is supposed to sit on an old chamber pot in the final exhibition.

The man-eater monster; a companion to the poop monster and about as large. The body has an aluminum wire armature covered with fake fur and a cotton/latex mix. The teeth are cast in latex and the eyes are flat glass blobs with a painted backside. Cheap and simple stuff!

Three ghostly heads built up with latex and cotton over plastic skulls and cardboard. In the exhibition they'll be suspended from the ceiling and have flimsy bodies made from torn fabrics.

A werewolf in mid-transformation. It's a hollow latex mask covered with fake fur and crepé hair, that is pulled over the head of a mannequin. I also made a deformed hairy hand.

This is the biggest piece I created for this project; the Galloping Sow. This folkloric monstrosity is a supernatural pig with back bristles that are long and sharp enough to cut you in half when she runs between your legs. She haunts graveyards and crossroads at night. This model is a modified plastic wild boar garden decoration. I built a new face for it out of epoxy, added the rows of teats under her belly, and the back spikes, and inserted small lights in the eyes. A new paint job finished off the whole thing.

Now I'm hoping to get back to my scheduled programming of making smaller monsters for the great YouTubian void.